Masks are required for educational programs in the Museum’s theaters and classrooms, as well as for tours to Historic RCA Studio B and Hatch Show Print.



Hank Williams

Hank Williams’s legend has long overtaken the rather frail and painfully introverted man who spawned it. Almost singlehandedly, Williams set the agenda for contemporary country songcraft, but his appeal rests as much in the myth that even now surrounds his short life.

Birth: September 17, 1923 - Death: January 1, 1953
Birthplace: Mount Olive, Alabama

His is the standard by which success is measured in country music on every level, even self-destruction.

Hiram Williams (his name was misspelled “Hiriam” on his birth certificate) came from a rural background. His parents were probably strawberry farmers when he was born, although his father, Lon, later worked for logging companies around Georgiana in south Alabama. Hank was born with a spinal deformity, spina bifida occulta, that would later have a deleterious impact upon his life. Lon entered a Veterans Administration hospital in 1930 when Hank was six, and Hank rarely saw him until the early 1940s. Hank’s mother, Lillie, moved the family to Greenville, and then to Montgomery, Alabama, in 1937. Hank’s musical career was already underway by the mid-1930s, and he formed the first of his Drifting Cowboys bands around 1938.

Hank spent the war years shuttling between Montgomery, where he still tried to play music, and Mobile, where he worked in the shipyards. In December 1944 he married Audrey Mae Sheppard, and, after the war, he reformed the Drifting Cowboys and became the biggest hillbilly music star in Montgomery. His progress was impeded by his drinking, which was already problematical, and by the fact that his music was considered anachronistic.

Nashville music publisher Fred Rose invited Hank to supply songs for Molly O’Day, and that contact led to Rose offering Hank the chance to record for Sterling Records in December 1946. On the basis of the public response to those records, Rose was able to place Hank with MGM Records, and his first MGM release, “Move It on Over,” was a hit in the fall of 1947. Rose tried hard to get Hank out of Montgomery, but the best he could get was an opening on a relatively new radio jamboree, the Louisiana Hayride, in Shreveport. Hank moved there in August 1948.

In Shreveport, Hank began performing “Lovesick Blues,” a show tune dating back to 1922 that he had learned from either Rex Griffin or Emmett Miller. The response it got encouraged him to record it after the 1948 recording ban ended. It reached #1 in May 1949, and stayed there sixteen weeks. The success of “Lovesick Blues” and its follow-up, another nonoriginal called “Wedding Bells,” convinced the Grand Ole Opry that Hank should be hired, despite misgivings about his reliability.

Hank moved to Nashville in June 1949 and swiftly became one of the biggest stars in country music. Increasingly, he decided to stand or fall with his own songs, and, after the success of his own “Long Gone Lonesome Blues” in the spring of 1950, virtually all of his hits were his own compositions.

At the session that produced “Long Gone Lonesome Blues,” Hank began to record a series of narrations and talking blues to be issued under the pseudonym Luke the Drifter. Most of them had a strong moral undertone, making them unsuitable for the jukebox trade, which accounted for more than half of his record sales. There were never any serious attempts to hide the identity of Luke the Drifter; it was simply a ploy to avoid jukebox distributors ordering unsuitable records.

The peak years of Hank Williams’s career were 1950 and 1951. He was one of the most successful touring acts in country music. Every one of his records charted, except for those issued as Luke the Drifter and his religious duets with Audrey. His songs, which had matured greatly since the demos he had submitted to Molly O’Day, began finding a wider market than his own recordings of them ever could. Starting with “Honky Tonkin’” in 1949, his songs had been covered for the pop market, but it was not until Tony Bennett covered “Cold, Cold Heart” in 1951 that he began to be recognized as an important popular songwriter. From that point, there was a rush to reinterpret his songs for the pop market. Guy Mitchell, for instance, had a hit with “I Can’t Help It (If I’m Still in Love with You),” and the duo of Frankie Laine and Jo Stafford took “Hey, Good Lookin’” into the pop Top Ten.

Hank had tried to wrestle down his drinking problem, but career pressures, marital problems, and crippling spinal pain all contributed to make the binges more frequent during 1951. In December he agreed to be operated on, although the operation was not a success. He disbanded his group in December, and, when he started work again in March and April 1952, it was with pickup bands. Audrey had ordered him out of the family home immediately after he came home from the hospital, and he moved into a house with Ray Price.

As 1952 wore on, Hank appeared to care less and less about his career. His appearances were few, and by June he had stopped work altogether. In August, he was fired by the Grand Ole Opry and moved out of Nashville, back to Montgomery. Fred Rose negotiated his return to the Louisiana Hayride as of September, and Hank moved back to Shreveport that month. In October, he married Billie Jean Jones Eshliman. She was from Bossier City, near Shreveport, but he had met her in Nashville when she came there with Faron Young. By this point, another girlfriend, Bobbie Jett, was pregnant with his child.

Hank worked in Shreveport from September to December 1952. Most of his bookings were in beer halls, and his drunkenness was now a serious problem compounded by medication prescribed by a bogus doctor, Toby Marshall. Through it all, though, Hank never seemed to strike out in the studio. Even as he played small halls in East Texas, his record of “Jambalaya” was #1. If anything, his hits increased in magnitude as his bookings diminished.

Just before Christmas 1952 Hank took a leave of absence from the Hayride and returned to Montgomery to rest. On December 30 he left for two bookings in Charleston, West Virginia, and Canton, Ohio, but died en route. He may have died on December 31, 1952, in the back seat of his chauffeured Cadillac, and was pronounced dead early on January 1, 1953, in Oak Hill, West Virginia. –Colin Escott

– Adapted from the Country Music Hall of Fame® and Museum’s Encyclopedia of Country Music, published by Oxford University Press

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