Museum

When Roy Orbison co-wrote “Running Scared,” he planned on shifting into his falsetto voice to hit the difficult-to-reach high notes that close the song. But producer Fred Foster, after orchestrating the number, realized a falsetto wouldn’t be heard over the arrangement. So Foster asked Orbison to sing the high notes in his full, natural voice. Orbison said it couldn’t be done, but Foster persuaded him to give it a try.